mp3@320kbps
TRACKLIST:
01. Gently
02. Timeless
03. Original People
04. Body and Soul (J.Greene)
05. Who’s Walkin’ Who
06. Don’t Ever Leave Me (T.Jones)
07. Bright Lights
08. Saxophone Quartet #2
LINEUP:
Lawrence Feldman – alto sax & flute
Pete Yellin – alto sax
Charles Pillow – alto sax & flute
Bob Malach – tenor sax & flute
Bob Mintzer – tenor sax & flute
Roger Rosenberg – baritone sax & clarinet
Bob Millikan – trumpet & flugelhorn
Frank Greene – trumpet & flugelhorn
Michael Phillip Mossman – trumpet & flugelhorn
Scott Wendholt – trumpet & flugelhorn
Jim Seeley – trumpet & flugelhorn
Keith O’Quinn – tenor trombone
Michael Davis – tenor trombone
Larry Farrell – tenor trombone
David Taylor – bass trombone
John Clark – french horn
Fred Griffin – french horn
Peter Erskine – drums
Jay Anderson – bass
Phil Markowitz – piano
Review: By Jack Bowers
Bob Mintzer, who is known to favor fiery Latin rhythms and big-band charts with an abundance of punch and power,
has a softer side too, one that is laid bare on this understated but no less invigorating new release, his fourteenth
(or fifteenth? I’ve lost count) on the dmp label. ‘I think I’ve . . . reached a point,’ Mintzer writes, ‘where I can
appreciate the subtlety factor in music and in life, where I would just as soon be gently caressed rather than
smacked with a large stick.’ With that in mind, Mintzer says, he designed his latest album as ‘a gentle approach to
big-band instrumentation, using clarinets and flutes in place of saxophones; muted brass; the addition of French
horns on two numbers, and writing for the band in a range and style [that] projects a soothing, warm sound.’
The climate is especially sultry on Mintzer’s ballad feature, Johnny Green’s ‘Body and Soul,’ which he calls ‘every
tenor’s measuring stick’ (except for Pavarotti, Domingo and Carreras, of course), while the reed section (deftly
backed by drummer Peter Erskine’s improvised counterpoint) is front and center on the gossamer ‘Saxophone
Quartet #2′ (middle movement), written for Miles Osland’s talented undergrads at the University of Kentucky.
Less heated tempos, however, don’t necessarily denote an absence of warmth; Mintzer’s concept, gentle as it is, can
still stir one’s blood, thanks to his seductive charts, shapely solos by such old hands as trumpeter Scott Wendholt
and Michael Phillip Mossman, alto saxophonists Pete Yellin and Charles Pillow, soprano Lawrence Feldman, tenor Bob
Malach, baritone Roger Rosenberg, trombonists Larry Farrell and Keith O’Quinn, pianist Phil Markowitz and bassist
Jay Anderson, and unremitting support from the ever-reliable Erskine. ‘
Timeless’ unveils a bossa-style Brazilian fa’ade, while ‘Who’s Walkin’ Who’ (inspired by Mintzer’s labrador retrievers,
Davis and Yosemity) is a softly ambling blues and ‘Bright Lights,’ written in ’92 for his small group, the Yellowjackets,
a funky shuffle that opens calmly and builds to a less-than-muted climax. “This one was hard to play soft,’ Mintzer
writes, ‘but I think we got it.’ They did.
‘Gently,’ inspired by Gil Evans, is an unassuming 4 / 4 swinger (with more perceptive work by Erskine) that uses
woodwinds and cup-muted brass to state its theme, Thad Jones’ ‘Don’t Ever Leave Me’ a winsome ballad that
Mintzer says he’s always wanted to record. Gently is a conspicuous change of pace for the usually upbeat Mintzer,
but one that underlines his structural resourcefulness and never fails to please. Easily recommended.
http://www.mediafire.com/download.php?7ocdt6pbvnbachg
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