Bill Charlap Trio - Somewhere: The Songs Of Leonard Bernstein
Bitrate: 320K/s
Year: 2004
Time: 59:43
Size: 136,7 MB
Label: Blue Note Records
Styles: Jazz Instrumental
Art: Front
1. Cool - 4:02
2. Lucky To Be Me - 4:49
3. It's Love - 5:42
4. Lonely Town - 6:37
5. Jump - 2:32
6. Some Other Time - 6:57
7. Glitter And Be Gay - 7:37
8. A Quiet Girl - 1:35
9. Big Stuff - 5:38
10. America - 3:53
11. Ohio - 7:18
12. Somewhere - 2:59
Year: 2004
Time: 59:43
Size: 136,7 MB
Label: Blue Note Records
Styles: Jazz Instrumental
Art: Front
1. Cool - 4:02
2. Lucky To Be Me - 4:49
3. It's Love - 5:42
4. Lonely Town - 6:37
5. Jump - 2:32
6. Some Other Time - 6:57
7. Glitter And Be Gay - 7:37
8. A Quiet Girl - 1:35
9. Big Stuff - 5:38
10. America - 3:53
11. Ohio - 7:18
12. Somewhere - 2:59
New York pianist Bill Charlap is comfortable straddling musical fences. He comes from the pianistic legacy of Tommy Flanagan and Hank Jones, yet he's comfortable mixing it up with likes of Steely Dan. Here, with bassist Peter Washington and drummer Kenny Washington (arguably the best rhythm section happening in jazz today), Charlap explores the Broadway tunes of classical composer/conductor Leonard Bernstein.
Charlap's piano lines glide over the keyboard with vocal-like fluidity, especially on the finger snapped bounce of "Cool," the Cuban cadences of "America," and the brush-stroked "Glitter to Be Gay." Charlap's reading of "Some Other Time" reveals the harmonic DNA of Bill Evans' "Peace Piece" and "Flamenco Sketches" from Kind of Blue. "Big Stuff" rocks in rhythm with a stridish, Count Basie-type intro, which morphs into an Ahmad Jamal-like motif. Charlap's solo performance of "Somewhere" shows that Bernstein was the intersection of the classics, American popular song, and jazz. --Eugene Holley, Jr.
Somewhere: The Songs Of Leonard Bernstein Charlap's piano lines glide over the keyboard with vocal-like fluidity, especially on the finger snapped bounce of "Cool," the Cuban cadences of "America," and the brush-stroked "Glitter to Be Gay." Charlap's reading of "Some Other Time" reveals the harmonic DNA of Bill Evans' "Peace Piece" and "Flamenco Sketches" from Kind of Blue. "Big Stuff" rocks in rhythm with a stridish, Count Basie-type intro, which morphs into an Ahmad Jamal-like motif. Charlap's solo performance of "Somewhere" shows that Bernstein was the intersection of the classics, American popular song, and jazz. --Eugene Holley, Jr.
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