quarta-feira, 27 de fevereiro de 2013
terça-feira, 26 de fevereiro de 2013
JACKIE Y TERRI PERMANECEN EN CABEZA DE CARTELERA
Los cinco primeros lugares continúan exactamente igual que la semana pasada en la cartelera de jazz, con la cantante Jackie Ryany la baterista Terri Lyne Carrington a la cabeza, seguidas por Ian Hendrickson-Smith, Paul Carr y Joe Lovano.
Entra por primera vez a la docena liderante el guitarrista Kevin Eubanks, en el sexto lugar con su nuevo álbum.
Estos son los 12 primeros lugares de la cartelera de jazz de esta semana que cubre en conjunto a EEUU y Canadá:
01 Jackie Ryan, Listen Here
02 Terri Lyne Carrington, Money Jungle
03 Ian Hendrickson-Smith, The Soul Of My Alto
04 Paul Carr, Standard Domain
05 Joe Lovano, Cross Culture
06 Kevin Eubanks, The Messenger
07 Organissimo, Dedicated
08 Winard Harper, Coexist
09 Beegie Adair, A Time For Love
10 The Clayton Brothers, The Gathering
11 North America Jazz Alliance, The Montreal Sessions
12 Kevin Mahogany, Old, New, Borrowed And The Blues
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segunda-feira, 25 de fevereiro de 2013
02/22/13
Concerto 'Prez Fest' para celebrar a vida de Milt Hinton
03 de março de desempenho e exposição de fotos de continuar em NYC igreja
"Prez Fest", um concerto que celebra a vida ea música do baixista, fotógrafo e NEA Jazz Master Milt Hinton terá lugar 03 de março, na Igreja de São Pedro, 619 Lexington Avenue at 54th Street, em Nova York.
O programa incluirá o documentário Tempo Mantendo: The Life, música e
fotografias de Milt Hinton . na 15:00, seguido por um painel de discussão com o moderador David G. Berger com Bill Crow, Dan Morgenstern, Reid Rufus e Joe Wilder "A Lenda Wall ", uma exposição histórica da vida de Hinton, com fotografias por Hinton, está mostrando na galeria Sala na igreja e vai permanecer no local até 3 de março.
fotografias de Milt Hinton . na 15:00, seguido por um painel de discussão com o moderador David G. Berger com Bill Crow, Dan Morgenstern, Reid Rufus e Joe Wilder "A Lenda Wall ", uma exposição histórica da vida de Hinton, com fotografias por Hinton, está mostrando na galeria Sala na igreja e vai permanecer no local até 3 de março.
Programa
05:00 Jazz Vésperas com Ben Williams 19:30 "O Concerto Mantendo o tempo", com a música Milt Hinton executada e os estilos de ensembles com que ele realizadas.Catherine Russell é o mestre de cerimônias. • "O Juiz Atende a Seção", organizado por Rufus Reid: um quinteto de Baixo bolsistas Milt Hinton: Pedro Dominguez, Fred Hunter, Mimi Jones aka Miriam Sullivan, Douglas Weiss e Sue Williams e contrabaixo solista Elias Bailey • Jay Leonhart • Orquestra de Jazz de compra realizada por Todd Coolman com Catherine Russell, Frank Wess e Reid Rufus • Gerald Clayton, Rodney Green e Rufus Reid com o convidado especial Ron Carter • Grand Finale: Coro Baixo Grande (pelo menos 20 baixistas), liderado por Rufus Reid e organizado por Ike Sturm Doação Ticket R $ 25 (sugerido) na porta de Doação de Bilheteira $ 15 Estudante (sugerido) com ID Doação Ticket $ 20 (sugerido) em Advance em: St.Eventos de Pedro . DOWNBEAT.COM
Richard Bona, Mandekan Cubano Transcend Cultures at Port-Au-Prince Jazz Festival
 It would be hard to think of a more challenging spot in the Americas to put on a jazz festival, but producers Joel and Milena Sandler Widmaier have done it seven times with the Festival International de Jazz de Port-au-Prince. Needless to say, the festival was canceled in 2010 after the city was devastated by a 7.0-magnitude earthquake.
The 2013 edition of the Festival International de Jazz de Port-au-Prince ensued on Jan. 19–26 and featured musicians from 13 countries. Saxophonist Branford Marsalis headlined the opening performance, which took place in the town of Jacmel, and bassist Richard Bona and his Afro-Cuban group Mandekan Cubano rounded out the lineup, closing out the fest on Jan. 26. In between, a variety of lesser-known international and Haitian artists—including the popular local guitarist Belo—appeared at free and ticketed events at multiple venues, offered daytime clinics to aspiring local players, and jammed into the night at post-show after-parties.
Apart from the physical difficulty of presenting an international event after a debilitating natural disaster, resources are scarce, and the country’s critical infrastructure is lacking. It then falls to the musicians to be border-crossers.
The festival’s final concert was held outdoors at the Parc Historique de la Canne à Sucre. The venue is a former sugar mill on the site of an 1803 military victory by Jean-Jacques Dessalines, a key figure of Haitian independence. Heavy rains had taken out the roof over the stage the night before, but the final night was a clear, warm one, the stage lit under a full moon. Amid a collection of 19th-century sugar-processing and rum-distilling equipment, Cameroonian bassist and all-around polymath Richard Bona connected with the audience through an Africanized take on Cuban dance music.
Entirely self-educated, Bona speaks 11 languages alongside his vast musical vocabulary. His band, Mandekan Cubano, consisted of five A-list veterans of the Latin music scene in New York: trumpeter Michael Rodriguez, trombonist Ozzie Melendez, tight-locked Venezuelan percussion cousins Luisito Quintero and Roberto Quintero, and mighty pianist Osmany Paredes, who packs a lot of polyrhythmic muscle. They opened with the Guillermo Rodríguez Fiffe’s chestnut “Kikiribú Mandinga,” which Bona sang in his native Bantu language of Duala. As the set progressed, he bantered between songs in French, wisecracked in English and even yodeled in the final number.
There was also another sensational Cuban keyboardist from New York on stage that night. Sporting a platinum Afro and two-toned goatee, Axel Tosca Laugart lit up an opening set by Haitian-American pop-jazz chanteuse and flutist Melanie Charles. Alongside the fine alto saxophonist Godwin Louis, bassist Calvin X Jones and drummer Gashford Guillaume, Charles poured out her soul in a splendidly passionate set, thanking the crowd in Creole and singing as if it were the most important night of her life. DOWNBEAT.COM
—Ned Sublette
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domingo, 24 de fevereiro de 2013
sábado, 23 de fevereiro de 2013
Review: Monterey Jazz Festival 55th Anniversary Tour
McBride, Bridgewater, Potter and more take the festival on the road
A Philadelphia audience was treated an unforgettable evening of great jazz celebrating the 55th anniversary of the Monterey Jazz Festival, founded in 1958. The tour included a stellar line-up featuring vocalist Dee Dee Bridgewater, bassist Christian McBride, pianist Benny Green, drummer Lewis Nash, saxophonist Chris Potter and trumpeter Ambrose Akinmusire.
Bridgewater and McBride greeted the audience, lightheartedly sharing fond memories of Philadelphia International Records as McBride strummed a few bass lines of favorite tunes. Next, McBride shared that he was playing the legendary Ray Brown’s bass as a dedication; he and Bridgewater performed a very lively version of Duke Ellington’s “I’m Beginning to See the Light.”
When the other members of the all-star band arrived on stage, solos ensued from Bridgewater and McBride, followed by the rhythm section featuring McBride, Green and Nash, followed by tunes written and led by Potter and Akinmusire, including “The Shade of the Cedar Tree,” McBride's tribute to Cedar Walton; the jazz standard “All of Me”; Dizzy Gillespie’s “Tango,” which highlighted Nash’s brush virtuosity; and Billie Holiday’s “God Bless the Child.”
When the other members of the all-star band arrived on stage, solos ensued from Bridgewater and McBride, followed by the rhythm section featuring McBride, Green and Nash, followed by tunes written and led by Potter and Akinmusire, including “The Shade of the Cedar Tree,” McBride's tribute to Cedar Walton; the jazz standard “All of Me”; Dizzy Gillespie’s “Tango,” which highlighted Nash’s brush virtuosity; and Billie Holiday’s “God Bless the Child.”
More images from the concert are in Ben Johnson's gallery at http://www.benjohnsonjazzphotos.com
JAZZTIMES.COM
sexta-feira, 22 de fevereiro de 2013
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MATEMÁTICAS Y JÓVENES EN FESTIVAL DE JAZZ LIONEL HAMPTON
Algunos de los seminarios del festival abarcan temas relacionados con el jazz y el teatro, el jazz y la arquitectura, el jazz y el arte y el jazz y las matemáticas. Hay un taller que se titula "La esencia de los estilos de jazz, desde Louis Armstrong hasta Paul McCartney", así como algunos dedicados a aspectos de la enseñanza del jazz o "los secretos" del éxito, entre varios. Naturalmente el festival presenta durante cuatro días una serie de conciertos con destacados músicos de jazz, entre ellos los Blind Boys Of Alabama, Wycliffe Gordon, James Morrison, Carmen Bradford y Stephen Drown. Actuarán igualmente big bandsestudiantiles y locales, así como un gran número de conjuntos pequeños y medianos. noticiasjazz.blogspot.com
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FESTIVAL DE BATERISTAS EN NUEVA YORK
FESTIVAL DE BATERISTAS EN NUEVA YORK
Se anunció la fecha para el festival de dos días, en Nueva York, enfocado primordialmente en la batería. Se realizará los días 23 y 24 de marzo en DROM, un prestigioso centro de conciertos en la Avenida 85, en el East Village.
Entre los bateristas que ya han confirmado su participación estánJeff "Tain" Watts, Billy Hart (con un grupo dirigido por Michael Feinberg), Jimmy Cobb, Mark Whitfield Jr., Joe Dyson, E.J. Strickland, Lenny White, Kimberley Thompson, Andrew Cyrille y otros.
Los festivales de percusión ("drumming") de todo tipo se han hecho muy populares en los últimos tiempos, realizándose algunos de importancia internacional en Ottawa, La Rioja, Muhtadi, Grenada, Londres y otros lugares. noticiasjazz.blogspot.com
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Entre los bateristas que ya han confirmado su participación estánJeff "Tain" Watts, Billy Hart (con un grupo dirigido por Michael Feinberg), Jimmy Cobb, Mark Whitfield Jr., Joe Dyson, E.J. Strickland, Lenny White, Kimberley Thompson, Andrew Cyrille y otros.
Los festivales de percusión ("drumming") de todo tipo se han hecho muy populares en los últimos tiempos, realizándose algunos de importancia internacional en Ottawa, La Rioja, Muhtadi, Grenada, Londres y otros lugares. noticiasjazz.blogspot.com
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quinta-feira, 21 de fevereiro de 2013
ADAURY JR TRIO TRIBUTO AO SAMBA JAZZ NESTA QUINTA 21/02/2013 NO SANTO SCENARIUM
Próxima quinta, 21 de fevereiro, estarei estreando meu show "Tributo ao Samba Jazz" com Josias Pedrosa no contrabaixo e Renato Endrigo na Bateria.
Será um passeio pelo estilo que emergiu junto a Bossa Nova no final dos anos 50, início dos anos 60.
No repertório, clássicos de Tom Jobim, Baden Powell, João Donato, além de originais de Cesar Camargo Mariano (Sambalanço Trio), Dom Salvador (Rio 65 Trio), Tenório Jr. e algumas de minhas composições.
Aguardo vocês lá!
Abraços,
Adaury Jr.
SANTO SCENARIUM (AO LADO DO RIO SCENARIUM)
Rua do Lavradio, 36, Centro, Rio de Janeiro - RJ
Reservas: (21) 3147-9007
quarta-feira, 20 de fevereiro de 2013
terça-feira, 19 de fevereiro de 2013
GRUPO PAUL BRASIL LANÇA PACOTE DE 8CDS E 1 DVD
Caixote
Pau Brasil
Três
décadas de música instrumental relançadas em CD
A discografia completa do Pau Brasil, o mais
significativo grupo de música instrumental brasileira da atualidade, está
finalmente disponível em 8 CDs remasterizados.
Depois de um extenso trabalho de pesquisa e recuperação
de toda a história e do repertório completo do quinteto paulistano, está sendo
lançada pela Pau Brasil Music a luxuosa coleção Caixote Pau Brasil 1982/2012.
Graças ao patrocínio da Petrobras e da Caixa Econômica
Federal, o ambicioso projeto de relançamento da obra completa do grupo,
composta de 8 CDs e 1 DVD, pôde, enfim, se tornar realidade.
Para complementar a coleção, foi produzido também um
livro com a história da formação do grupo e sua trajetória nos últimos 30 anos,
com farto material iconográfico,escrito pelo conceituado jornalista Carlos
Calado.
O livro ainda contém textos que descrevem e comentam
cada um dos 8 CDs relançados pela coleção.
Todo este conteúdo está disponível, também,
de forma digital no site do Pau Brasil:www.grupopaubrasil.com
O Caixote está à venda na Livraria Cultura e na
Livraria da Vila. Valor estimado R$ 200,00.
Shows
Estão confirmados shows de lançamento em:
03/03 –SESC Santos
07/03 – SESC São Carlos
08/03 –SESC Araraquara
14/03 –SESC Sorocaba
15/03 –SESC Ribeirão Preto
30 e 31/03 - São Paulo - SESC Pompéia
Também estão previstas apresentações em outras
capitais como Rio de Janeiro, Curitiba, Brasília, Recife, Fortaleza e Belo
Horizonte.
PAU
BRASIL
Composto por alguns dos mais importantes nomes da
música brasileira, o Pau Brasil funciona como um núcleo criativo instrumental.
O grupo cativa os ouvintes através de uma música que é original, viva e bem
humorada.
Ao longo de seus trinta anos de existência, o Pau
Brasil traz em seu currículo apresentações nos mais renomados festivais e
teatros do Brasil, além de inúmeras turnês e apresentações pela Europa, Estados
Unidos e Japão.
Os vôos improvisatórios e o esmerado tratamento
musical das composições próprias e das releituras de diversos compositores brasileiros, fazem do grupo um patrimônio vivo da música
brasileira.
Contando atualmente com os talentos de
Nelson Ayres, Rodolfo Stroeter, Paulo Bellinati, Teco Cardoso e Ricardo Mosca,
o Pau Brasil alcança a maturidade e - através desse lançamento - se insere como
um dos mais ativos representantesda música brasileira.
O lançamento do Caixote, propicia a um público maior
um dos mais significativos legados da música instrumental brasileira,fazendo
com que se perceba a importância do resgate da obra do grupo e sua consequente
valorização na cultura do nosso país.
Conteúdo da Coleção
CDs:
Pau Brasil (1983)
Pindorama (1986)
Cenas brasileiras (1987)
Lá vem a tribo (1989)
Metrópolis tropical (1993)
Música viva (1995)
Babel (1997)
‘2005 (2005)
DVD:
Babel (show gravado pela TV Cultura no SESC
Pompéia em São Paulo em 1996)
Ficha técnica:
Direção geral e produção musical: Rodolfo
Stroeter
Produção executiva: Carolina Gouveia
Textos: Carlos Calado
Design gráfico: Marcílio Godoi / Memo
Editorial
Masterização dos CDs: Lelo Nazario / Utopia
Studio
Lançamento: Pau Brasil Music
Sweet Honey in the Rock Records Album with Jazz Trio
02/18/13
Female a cappella group has never recorded live with a band before
Sweet Honey in the Rock, the female a cappella group now nearing the anniversary of its fourth decade together, will release a new two-CD set, A Tribute—Live! Jazz at Lincoln Center (Appleseed Records, Feb. 26). The group, which draws from blues, African, jazz, gospel and R&B, has never recorded live with a band before. The live album is Sweet Honey’s first new release in five years and 23rd overall. Their previous Appleseed release, Experience . . . 101 (2007), was their fourth children’s album and was a Grammy nominee.
Sweet Honey in the Rock
The musicians accompanying the group on the album (nicknamed “the Honey Men”) are Stacey Wade (musical director/piano/keyboards), Parker McAllister (upright acoustic and electric bass) and Jovol Bell (drums, percussion).
The group’s 2013 itinerary includes numerous dates in major US cities, including several special “Tribute” shows:
2/28/13 Kimmel Center, Philadelphia, PA
3/1/13 McCarter Theater, Princeton, NJ
3/2/13 New Jersey Performing Arts Center, Newark, NJ
3/5/13 B.B. King’s, New York City
3/7/13 Howard Theatre, Washington, D.C.
3/1/13 McCarter Theater, Princeton, NJ
3/2/13 New Jersey Performing Arts Center, Newark, NJ
3/5/13 B.B. King’s, New York City
3/7/13 Howard Theatre, Washington, D.C.
The tour dates through the end of May will mark the final appearances of Dr. Ysaye Barnwell, a 34-year member of the group, who is departing to pursue her own career endeavors. (See Appleseed Music for all tour dates.)
Luciana Souza/Romero Lubambo at the Jazz Standard 2/13/13
"An altogether affecting display of dramatic vocal prowess"
In 2005, when Luciana Souza’s future husband, the L.A. record producer and jazz bassist Larry Klein, came to hear her duo with Brazilian guitar virtuoso Romero Lubambo at NYC’s Jazz Standard, he wanted to like her very much. Having met the Brazilian singer briefly backstage at an L.A. Philharmonic concert where she was the featured soloist, Klein was intrigued as much by her vocal chops as by her intelligence and grace. Now he was in New York on business, but also to see Souza again.
“When people sing in multiple genres,” Klein recalled not long ago, “scary things can happen. I had heard Luciana in the context of orchestral music, and in this show she was performing Brazilian music with a guitar player. I remember going to the club and thinking, ‘Oh, I hope this is good.’ But then they started playing and … she was sodamn good I got a bit intimidated. They were amazing.”
Eight years later, Souza and Lubambo were back at the Jazz Standard and still amazing audiences with their mastery of tricky Brazilian rhythms, the depth of their emotion and their synergy as a duo.
Klein and Souza, now married and living in L.A. with a three-year-old son, are celebrating her Grammy nominations in two different categories, not to mention two different languages, for two of her albums produced by Klein and released on the same day: The Book of Chet, an homage to Chet Baker, and Duos III, the latest installment of her critically praised series of vocal/guitar duets of Brazilian songs, which features Lubambo and two other Brazilian guitar greats, Marco Pereira and Toninho Horta.
For this Valentine’s week engagement, Souza and Lubambo played love songs in Portuguese and English from both albums. Either performer could have led the date. Souza is arguably the greatest Jobim interpreter of her generation and a six-time Grammy nominee (with one win). Lubambo, a preeminent master of finger-style guitar in both Brazilian and jazz idioms, is not only Souza’s regular duo partner but a mainstay of Dianne Reeves’ rhythm section, as well as a member of Trio da Paz, perhaps the finest small group in Brazilian jazz.
They began a sprightly “Doralice” with Souza high-speed scatting in unison with Lubambo’s rush of single notes, a kind of amuse-bouche for the ears, before settling into the lively samba rhythm. Throughout the evening, Souza played percussion, sometimes a snare with brushes, sometimes wielding a mean triangle. Between the two of them they often sounded like a quartet.
The fast-paced samba mode continued with Djavan’s delightful “Maria das Mercedes,” the only song all evening not featured on the “Duos” or “Chet” albums. Introducing the Jobim masterpiece “Chora Coracao,” Souza listed great Brazilian composers—Chico Buarque, Ivan Lins, Barbosa, Caymmi—but said, “We always go back to Jobim.” Her performance of this haunting ballad—with its lyric that translates as, “Have pity on me/I can no longer live without you”—was infinitely tender, yet delivered with surgically precise intonation.
For songs from the hypnotic Book of Chet album, which features Souza’s voice backed only by an austere guitar trio led by Larry Koonse, Lubambo switched from a Prenkert classical guitar to a Godin 5th Avenue electric. On the album, she said, “We did all ballads, everything slow, slower, then slower than that.” Reproducing her haunting arrangement of “The Thrill is Gone,” Lubambo played the bass ostinato and descending fourths, and Souza provided the drowsy beat with brushes, together nailing the arrangement’s ghostly effect. The similarity to the album ended there, however, as Souza took liberties with the melody, dragging the lyric about a love grown stale as if she were lugging around a corpse, in an altogether affecting display of dramatic vocal prowess.
More wonders followed: a great performance of “Dindi” in an original Lubambo arrangement blending bossa nova and blues; and the wordless instrumental duet “Dona Lu,” a virtuoso piece written for Souza by Marco Pereira. What can you say about such mastery? Following a medley of songs by Gilberto Gil and Djavan that turned into a blazing display of technical acumen by Lubambo, Souza remarked, “We’ve been playing together since 1996, and every night I’m just … ” As her words trailed off, she just looked incredulous.
Dizzy and Bird Festival Coming to Jazz at Lincoln Center
Jon Faddis, Paquito D’Rivera, Wycliffe Gordon are headliners
Jazz at Lincoln Center will present the Dizzy and Bird Festival, highlighting the music of Dizzy Gillespie and Charlie “Bird” Parker, from Feb. 28-March 10. The festival, one of six presented during this season to celebrate JALC’s 25th anniversary, will include several simultaneous performances in Rose Theater, the Allen Room and Dizzy’s Club Coca-Cola. The concerts comprising the Dizzy and Bird Festival are as follows:
• Celebrating Dizzy Gillespie
The Jon Faddis Jazz Orchestra of New York & Quintet
March 8-9, 2013, 8 p.m., Rose Theater
The Jon Faddis Jazz Orchestra includes: Faddis (trumpet, conductor and leader), Lew Soloff, Greg Gisbert, Michael Philip Mossman, Max Darche (trumpets), Mark Vinci, Steve Wilson, Walt Weiskopf, Ralph Lalama, Frank Basile (saxophones), Ted Rosenthal (piano), Todd Coolman (bass), with special guests Ignacio Berroa (drums), NEA Jazz Master Jimmy Heath (tenor saxophone), Pedrito Martinez (congas) and Steve Turre (trombone and conch shells – Friday only).
Ticket prices for Rose Theater are $10, $30, $50, $75, $95 or $120 dependent upon seating section.
• Paquito D’Rivera’s “Charlie Parker with Strings”
March 8-9, 2013, 7:30 p.m. & 9:30 p.m., the Allen Room
Cuban reedist, arranger, composer Paquito D’Rivera will delve into the musical compositions of the 1950 session of Charlie Parker with strings. Performers include D’Rivera (alto saxophone, clarinet, conductor), Charles Pillow (oboe, alto saxophone), Riza Printup (harp), Alex Brown (piano), Ben Williams (bass), and Vince Cherico (drums). The core ensemble will be augmented by six violins, two violas and two cellos.
Ticket prices for the Allen Room are $65 for the 7:30 p.m. sets and $10 or $55 for the 9:30 p.m. sets.
The Jon Faddis Jazz Orchestra of New York & Quintet
March 8-9, 2013, 8 p.m., Rose Theater
The Jon Faddis Jazz Orchestra includes: Faddis (trumpet, conductor and leader), Lew Soloff, Greg Gisbert, Michael Philip Mossman, Max Darche (trumpets), Mark Vinci, Steve Wilson, Walt Weiskopf, Ralph Lalama, Frank Basile (saxophones), Ted Rosenthal (piano), Todd Coolman (bass), with special guests Ignacio Berroa (drums), NEA Jazz Master Jimmy Heath (tenor saxophone), Pedrito Martinez (congas) and Steve Turre (trombone and conch shells – Friday only).
Ticket prices for Rose Theater are $10, $30, $50, $75, $95 or $120 dependent upon seating section.
• Paquito D’Rivera’s “Charlie Parker with Strings”
March 8-9, 2013, 7:30 p.m. & 9:30 p.m., the Allen Room
Cuban reedist, arranger, composer Paquito D’Rivera will delve into the musical compositions of the 1950 session of Charlie Parker with strings. Performers include D’Rivera (alto saxophone, clarinet, conductor), Charles Pillow (oboe, alto saxophone), Riza Printup (harp), Alex Brown (piano), Ben Williams (bass), and Vince Cherico (drums). The core ensemble will be augmented by six violins, two violas and two cellos.
Ticket prices for the Allen Room are $65 for the 7:30 p.m. sets and $10 or $55 for the 9:30 p.m. sets.
• Wycliffe Gordon and Friends—The Dizzy Birds: Bebop Then & Now
March 7-10, 2013, sets at 7:30 p.m. & 9:30 p.m., Dizzy’s Club Coca-Cola
Trombonist Wycliffe Gordon will explore the music of Dizzy Gillespie and Charlie Parker with his ensemble in Dizzy’s Club Coca-Cola. Performers include Gordon (trombone, trumpet, vocals), Adrian Cunningham (saxophones), Michael Dease (brass and saxophones), Aaron Diehl (piano), Yasushi Nakamura (bass), Dion Parson (drums), plus special guests.
Dizzy’s Club Coca-Cola cover charge: $35-40
March 7-10, 2013, sets at 7:30 p.m. & 9:30 p.m., Dizzy’s Club Coca-Cola
Trombonist Wycliffe Gordon will explore the music of Dizzy Gillespie and Charlie Parker with his ensemble in Dizzy’s Club Coca-Cola. Performers include Gordon (trombone, trumpet, vocals), Adrian Cunningham (saxophones), Michael Dease (brass and saxophones), Aaron Diehl (piano), Yasushi Nakamura (bass), Dion Parson (drums), plus special guests.
Dizzy’s Club Coca-Cola cover charge: $35-40
• Listening Party – Dizzy and Bird Festival
February 28, 7pm—Frederick P. Rose Hall
This interview series invites audiences to listen to new jazz albums, while meeting and hearing from the artists who recorded them. Free and open to the public.
February 28, 7pm—Frederick P. Rose Hall
This interview series invites audiences to listen to new jazz albums, while meeting and hearing from the artists who recorded them. Free and open to the public.
The remaining 2012-13 season festivals include the Duke Ellington Festival, and the Chick Corea Festival.
Jazz at Lincoln Center’s Frederick P. Rose Hall is located at Broadway at 60th Street, 5th floor, New York City.
Tickets:
Tickets for Rose Theater and the Allen Room can be purchased through JALC or CenterCharge at 212-721-6500, open daily from 10 a.m. to 9 p.m. Tickets can also be purchased at the Jazz at Lincoln Center Box Office, located on Broadway at 60th Street, ground floor. Box Office hours: Monday-Saturday from 10am to 6pm (or 30 minutes past curtain) and Sunday from noon to 6pm (or 30 minutes past curtain).
Tickets for Rose Theater and the Allen Room can be purchased through JALC or CenterCharge at 212-721-6500, open daily from 10 a.m. to 9 p.m. Tickets can also be purchased at the Jazz at Lincoln Center Box Office, located on Broadway at 60th Street, ground floor. Box Office hours: Monday-Saturday from 10am to 6pm (or 30 minutes past curtain) and Sunday from noon to 6pm (or 30 minutes past curtain).
Reservations for Dizzy’s Club Coca-Cola can be made by calling 212-258-9595 or 212-258-9795 and via Dizzy's Club Coca-Cola.
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